The Rolling Stones – You Can’t Always Get Want You Want (Drums)

Drum cover of You Cant Always Get What You Want by The Rolling Stones from the Let It Bleed album. Jagger wrote the tune on an acoustic guitar referring it to as a "bedroom song" and had the idea of having a choir. Recorded in November 1968 at Londons Olympic Sound Studios, it features the London Bach Choir opening the song. Jimmy Miller, the Rolling Stones producer at the time, plays drums on this song instead of Charlie Watts as it proved to be quite difficult to record because Charlie couldnt play the groove and so Jimmy Miller had to play the drums. Al Kooper (Blues Project, Blood, Sweat & Tears, organ on Dylans Like A Rolling Stone) plays piano and organ and also played the French horn intro, while Rocky Dijon plays congas and maracas. Nanette Workman sings backup vocals, but she is credited as "Nanette Newman" John Lennon, as well as my observations, revealed that the Rolling Stones were apt to copy the Beatles innovations within a few months or so, You Cant Always Get What You Want is the Rolling Stones counterpart to Hey Jude". Jagger said in 1969, "I liked the way the Beatles did that with Hey Jude. The orchestra was not just to cover everything up—it was something extra. We may do something like that on the next album." Triggering a Ludwig Black or Blue Oyster Pearl kit was Addictive Drums.

Nick Martellaro – 19th Nervous Breakdown (Rolling Stones Live Ed Sullivan version cover)

Hi everyone! This is my cover of the Rolling Stones song, "19th Nervous Breakdown"…more specifically, their live arrangement, which they played on the 1965 Ed Sullivan show. I personally like this arrangement better, because it has an extended intro, more interesting breaks, its more raw, and has a non-fadeout ending. Overall, I think its more dynamic than the studio version…unfortunately, YouTube has taken down all the videos of the 1965 Ed Sullivan performance, so youll have to seek it elsewhere. My goal for this one was the same as my last Stones cover ("The Last Time"), which got a good response. Basically, I think the Stones songs sound best raw and unpolished. This one has no overdubs, its just exactly what wouldve been played live – two guitars, one bass, drums, and two vocals. I tried to capture the "first take" energy of this live performance. Let me just say, this song is RIDICULOUSLY fun to play. This is a great example of the Rolling Stones signature "weaving guitars" sound. Keiths part is a great rhythm, with some cool fills along the way. Brians part is a hypnotic riff that he took directly from Bo Diddleys song, "Diddley Daddy." Bill Wymans bass part is also ridiculous in the way he played it. Instead of playing lower on the neck, this bass line goes all the way up to the 12th fret, along with some crazy divebombing during the outro. Anyways, I hope you like it! I apologize if the video is slightly out of sync. This one was a huge file on my <b>…<b>

19th Nervous Breakdown by Mike Curb and Waterfall

This is a pretty cool version of the Rolling Stone classic tune. Its loaded with tasty guitar work and violins a plenty…groovy organ and horns a blaring. Enjoy.

One Take – Allen Stone – Satisfaction

Allen Stone performs "Satisfaction" at one of his sold out Troubadour shows. His self titled album is out now. Tweet us – www.twitter.com Follow Allen www.twitter.com www.allenstone.com http Subscribe: ‪‪bit.ly Facebook: www.facebook.commakermusicofficial Twitter: www.twitter.com Tumblr: makermusic.tumblr.com Allen Stones soulful music has earned the love of fans worldwide all without the support of a label, publisher or publicist. His self-titled sophomore album hit digital stores in October and since its release hes been busy touring and winning more hearts. He let Maker Music stop by on his sold-out Troubadour performance weekend to spend some time and show his hard work. Jason Holt – Drums Trevor Larkin – Guitar Greg Ehrlich – Organ Mark Sampson – Keys Brent Rusinow – Bass Intro music by EOM www.twitter.com Special Thanks to BJ Olin The Troubadour MAKER MUSIC 2012

Rob Shearer playes Jim Keltner / Charlie Watts Project – "Roy Haynes"

Sorry about the audio quality. Anyway, this is a cover of a song from the Charlie Watts Jim Keltner project called "Roy Haynes". Thumbs up for the tribute Jim Keltner aviatior shades! Enjoy (if you can) Lol. The link to the origininal is below. Thanks. www.youtube.com www.myspace.com www.robertshearer.co.uk

Dave Swift, Jools Holland, Charlie Watts, Steve White & Gilson Lavis "HoneyDripper"

Charlie Watts, Steve White, and Gilson Lavis, all playing drums with Jools Holland & His Rhythm & Blues Orchestra on the Hootenanny with Dave Swift on Bass. www.daveswiftbass.com

Chuck Berry, Keith Richards & Robert Cray – Roll Over Beethoven (1986) Hail Hail Rock n Roll

Chuck Berry, Keith Richards and Robert Cray performing "Roll Over Beethoven" at the Chuck Berry Hail Hail Rock n Roll concert in 1986. "Hail! Hail! Rock n Roll" is a 1987 documentary film directed by Taylor Hackford that chronicles two 1986 concerts celebrating rock and roll musician Chuck Berrys 60th birthday. A soundtrack album was released in October 1987 on the MCA label. The two concerts were held on October 16, 1986, at the Fox Theatre in St. Louis; among the artists performing with Berry were Keith Richards, Eric Clapton, Robert Cray, Etta James, Johnnie Johnson, Steve Jordan, Bobby Keys, Julian Lennon, Linda Ronstadt andJoey Spampinato. Along with concert footage, the film also features scenes from the rehearsals for the shows, interviews with Berry and members of his family, and "talking-head"-type appearances from a number of musicians, including Bo Diddley, The Everly Brothers, John Lennon (archival footage), Jerry Lee Lewis, Roy Orbison, Little Richard and Bruce Springsteen. "Chuck Berry" (Charles Edward Anderson Berry) (born October 18, 1926) is an American guitarist, singer and songwriter, and one of the pioneers of rock and roll music. With songs such as "Maybellene" (1955), "Roll Over Beethoven" (1956), "Rock and Roll Music" (1957) and "Johnny B. Goode" (1958), Chuck Berry refined and developed rhythm and blues into the major elements that made rock and roll distinctive, with lyrics focusing on teen life and consumerism and utilizing guitar solos and <b>…<b>