Jim Miller vs. Anthony Morrison – CFFC 5 – Lightweight Title

AMA Fight Clubs Jim Miller defends his CFFC Lightweight Title against Atlantic City MMAs Anthony Morrison at CFFC 5: Two Worlds – One Cage. Morrison provides some nice slams, and Miller supplies a textbook display of MMA Jiu Jitsu. For more on Jim and his brother Dan, check out www.MillerBrothersMMA.com

The Rockerfellas perform "19th Nervous Breakdown" by the Rolling Stones at Re-Union 2001

Rockerfella Re-Union performing "19th Nervous Breakdown" on July 6th 2001 Bob Ronco – GuitarVocals Billy DeMoya – DrumsVocals Craig Ball – GuitarVocals Jimmy Muller – BassVocals at Bayside Marketplace 401 Biscayne Blvd., R106 Miami, Florida 33132-1924 (305) 577-3344

27 Club- Brian Jones, Jimi Hendrix, Janis Joplin, Jim Morrison, Kurt Cobain

27 Club Brian Jones (Cheltenham, February 28, 1942 Hartfield, July 03 1969) Jimi Hendrix (Seattle, November 27,1942 London, September 18, 1970) Janis Joplin (Port Arthur, January 19, 1943 Los Angeles, October 04, 1970) Jim Morrison (Melburne, Dicember 08, 1943- Paris, July 03, 1971) Kurt Cobain (Aberdeen, February 20, 1967 Seattle, April 05, 1994) songs: 1. Angie- Rolling Stones 2.Hey Joe- Jimi Hendrix 3.Piece of my heart- Janis Joplin 4.Light my fire- Jim Morrison 5.Smells like teen spirit- Nirvana

Rob Shearer playes Jim Keltner / Charlie Watts Project – "Roy Haynes"

Sorry about the audio quality. Anyway, this is a cover of a song from the Charlie Watts Jim Keltner project called "Roy Haynes". Thumbs up for the tribute Jim Keltner aviatior shades! Enjoy (if you can) Lol. The link to the origininal is below. Thanks. www.youtube.com www.myspace.com www.robertshearer.co.uk

max roach – Charlie Watts Jim Keltner Project

Those fans with more than a passing knowledge of the Rolling Stones will be aware of drummer Charlie Watts longtime interest in traditional jazz. Some might even be aware that Watts has assembled and fronted a British big band, and has also led a solid jazz quintet with several CDs to its credit. Still, it comes as something of a surprise initially that Watts would produce what appears to be a solo drum CD, with song titles named after various jazz master drummers — "Max Roach," "Art Blakey," "Shelley Manne," and so on. Superficially, this might suggest an ego trip for Watts wherein he sets out to demonstrate his dazzling technique and versatility, but Watts characteristic modesty would never allow him to attempt such a thing. Instead, what he has done — with the assistance of drummer, producer, and idea man Keltner — is to distill some sort of personal essence of each of the nine drummers featured on this CD, and then put together what amounts to a series of musical portraits. So, for example, the Art Blakey piece is very African and tribal, with plenty of tom-toms, emphasizing that aspect of Blakeys playing. And Airtos piece, of course, uses a samba rhythm, supplementary congas, and a bandolean for added ethnic flavor. Other interpretations are a little less obvious, and perhaps more subjective. Kenny Clarkes piece, for example (Clarke being the elegant longtime drummer with the Modern Jazz Quartet), uses violins, oud, and tar, and has a decidedly Middle Eastern <b>…<b>