Guitar solo of Bob Dylans "Sweetheart like you"
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Brown Sugar The Rolling Stones Cover
This song is played in open G tuning.
Honky Tonk Woman Tab Guitar Bend Country Lick Major Pentatonic Scale
GUITAR TAB Get free tab for this song excerpt when you sign up for a preview of the book Fretboard Theory at: guitar-music-theory.com SONGS This song demonstrates some of the licks, phrases and styles that can be played with the pentatonic scale. This footage is ONLY available online. DVD To learn about scale patterns, technique and theory, see the DVD video program entitled GETTING STARTED WITH THE PENTATONIC SCALE. Learn about: • Five pentatonic scale patterns • Major, minor and blues tonalities • Hammer-ons, pull-offs, slides and bends • Alternate picking • Playing over chords and progressions Go directly to guitar-music-theory.com to sign up for a FREE DVD preview. Play Until Yer Fingers Bleed! Mr. Desi Serna (Google me!) www.Guitar-Music-Theory.com Scales, Chords, Progressions, and More
Honky Tonk Blues – The Rolling Stones note for note cover – by GC
SONG FACTS: Keith Richards notes: "Honky Tonk Women" started in Brazil. Mick and I, Marianne Faithfull and Anita Pallenberg who was pregnant with my son at the time. Which didnt stop us going off to the Mato Grasso and living on this ranch. Its all cowboys. Its all horses and spurs. And Mick and I were sitting on the porch of this ranch house and I started to play, basically fooling around with an old Hank Williams idea. And then couple of months later we were writing songs and recording. And somehow by some metamorphosis it suddenly went into this little swampy, black thing, a Blues thing. Really, I cant give you a credible reason of how it turned around from that to that. Except theres not really a lot of difference between white Country music and black Country music. Its just a matter of nuance and style. I think it has to do with the fact that we were playing a lot around with open tunings at the time. So we were trying songs out just to see if they could be played in open tuning. And that one just sunk in." Lead guitarist Brian Jones was a founding member of the group and was considered their leader in their early years. Unfortunately, drug abuse made him pretty much worthless, and when The Stones finished recording this on June 8, 1969, they drove to his house and fired him. This was released July 3, 1969, the same day Jones was found dead in his swimming pool. Mick Taylor had taken over for Brian Jones on lead guitar, and this was his first appearance on a <b>…<b>
Steve Cropper, Keith Richards and The Horse
How To Play The Horse by Cliff Nobles. You have heard this tune many times. @0:48
CHARLIE WATTS: Drum Tips With Chris Sutherland
Chris Sutherland, professional drummer and Music Performance & Technology instructor at Metalworks Institute of Sound & Music Production, talks about how to play drums like Charlie Watts of the Rolling Stones. For More Drum Tips With Chris Sutherland, check out the playlist: www.youtube.com ABOUT METALWORKS INSTITUTE OF SOUND & MUSIC PRODUCTION: Students are prepared for lifelong learning and leadership roles through innovative instruction techniques and exceptional learning resources. All of Metalworks Institutes full-time diploma programs are approved as vocational programs under the Private Career Colleges Act 2005. Our unique educational concept unites faculty and students in the acquisition and application of technical, artistic and business knowledge in a real world professional environment.The faculty at Metalworks Institute has been carefully selected for their industry expertise, awards, achievements and teaching skills. The Metalworks group of companies is always on the cutting edge of industry developments. Adapting our programs to these developments and the latest available technologies is crucial in maintaining our state of the art facilities and providing a unique hands-on educational experience. www.metalworksinstitute.com Chris Sutherland uses Sonor Drums Sabian Cymbals Pro-Mark Drumsticks Evans Drumheads GonBops Percussion www.drumhang.com
Rolling Stones Brown Sugar Tab Guitar Lesson
GUITAR TAB My version is not entirely correct. To get the official, complete, accurate, fully licensed and legal guitar tab go to: www.unitedwetab.com LEARN THE CAGED SYSTEM This footage makes a great supplement to my Fretboard Theory guitar theory book and DVD program. Learn about how guitar players use the CAGED chord system to build chord shapes and map out the guitar fretboard. Topics include: •Chord inversions • Arpeggio patterns • Shapes, fingerings and voicings • Advanced barre chords • Fretboard mapping • Styles and songs • Guitar theory PLEASE NOTE: For intermediate and advanced level players. Go directly to Guitar-Music-Theory.com to sign up for a FREE DVD preview. Play Until Yer Fingers Bleed! Mr. Desi Serna (Google me!) www.Guitar-Music-Theory.com Scales, Chords, Progressions, and More
Keith Richards meets Chuck Berry
www.rockingblues.com
Nick Martellaro – 19th Nervous Breakdown (Rolling Stones Live Ed Sullivan version cover)
Hi everyone! This is my cover of the Rolling Stones song, "19th Nervous Breakdown"…more specifically, their live arrangement, which they played on the 1965 Ed Sullivan show. I personally like this arrangement better, because it has an extended intro, more interesting breaks, its more raw, and has a non-fadeout ending. Overall, I think its more dynamic than the studio version…unfortunately, YouTube has taken down all the videos of the 1965 Ed Sullivan performance, so youll have to seek it elsewhere. My goal for this one was the same as my last Stones cover ("The Last Time"), which got a good response. Basically, I think the Stones songs sound best raw and unpolished. This one has no overdubs, its just exactly what wouldve been played live – two guitars, one bass, drums, and two vocals. I tried to capture the "first take" energy of this live performance. Let me just say, this song is RIDICULOUSLY fun to play. This is a great example of the Rolling Stones signature "weaving guitars" sound. Keiths part is a great rhythm, with some cool fills along the way. Brians part is a hypnotic riff that he took directly from Bo Diddleys song, "Diddley Daddy." Bill Wymans bass part is also ridiculous in the way he played it. Instead of playing lower on the neck, this bass line goes all the way up to the 12th fret, along with some crazy divebombing during the outro. Anyways, I hope you like it! I apologize if the video is slightly out of sync. This one was a huge file on my <b>…<b>
19th Nervous Breakdown – Rolling Stones
Im pretty sure this is Keiths part.